Pon 30 Cze, 2008 13:23
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Znalazłem ciekawy artykuł o rzeźbie piktyjskiej, występującej od Inverness do Dunrobin w Szkocji:
http://www.highland.gov.uk/NR/rdonlyres/EA6070ED-EE05-468B-BE27-63913D3838E0/0/PictishTrail.pdf



Sro 02 Lip, 2008 16:04
Unik


Sro 02 Lip, 2008 18:17
Unik


Sro 02 Lip, 2008 18:46
Unik

Nigg oraz Shandwick i Hilton - oryginał i jak robiono kopię (3 ostatnie).
http://en.wikipedia.org/wiki/Image:Nigg_Fragment.jpg
http://www.pictishstone.freeuk.com/Framesbase.htm

I jeszcze 3 stele piktyjskie - kopia steli z Hilton, stela z katedry Dunblane, Orli Kamień (Eagle Stone) z Strathpeffer:
http://en.wikipedia.org/wiki/Pictish_stones



Pią 04 Lip, 2008 13:09
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Pią 04 Lip, 2008 14:12
Unik

Wczesnośredniowieczna rzeźba zachodniej części Wyżyny szkockiej i Wysp.
http://www.coflein.gov.uk/showcasesculpture.html

Krzyż z Kildalton (Kildalton Cross) na wyspie Islay (nazwa wyspy wskazuje chyba na wpływy skandynawskie). Kildalton, czyli Św. Dalton (dosłownie: Kościół Daltona) to nazwa miejscowości z ruinami kościoła pod tym wezwaniem.
Krzyż z Kildalton rzeźbiony jest po obu stronach.

http://en.wikipedia.org/wiki/Kildalton_Cross
http://www.islayinfo.com/islay_kildalton_cross.html
http://www.visit-islay.com/frames/kildalt.html
http://www.m-j-s.net/photo/scot1998/1998-01-10040300.html
http://www.users.zetnet.co.uk/scotislex/252.html
http://www.historic-scotland.gov.uk/propertyresults/propertyoverview.htm?PropID=PL_168
http://www.discoverislay.com/kildalton_cross_islay.html
http://www.rcahms.gov.uk/eyh1.html
http://www.megalithic.co.uk/article.php?sid=10093

Pią 04 Lip, 2008 14:30
Unik

http://www.coflein.gov.uk/showcasesculpture.html#top
http://www.visit-islay.com/frames/kildalt.html
http://www.m-j-s.net/photo/scot1998/1998-01-10040300.html

Różne inne rzeźby szkockie:
1. Krzyż z Keills,
2. Krzyż św. Marcina z Iony - ale najwyraźniej inny od pokazanego wyżej,
3. Fragment trzonu krzyża z Inchmarnoch, znaleziony w "kopcu" (zapewne lokalna nazwa jakiegoś kurhanu, zwieńczonego krzyżem),
4. Krzyż z Dupplin (w podpisie mowa o porównawczym przedstawieniu - porównawczym z czym? z krzyżami na zachodzie Szkocji? - Dupplin chyba leży na wschodzie, nie mam w tej chwili mapy pod ręką),
5. Płyta (stela?) z krzyżem z Kildonnan,
6. Płyta (stela?) z krzyżem z Kilfinan,
7 i 8. Dwie dziwne rzeźby - stele? (Riasg Buidhe, Colonsay i Cladh a' Bhile, Ellary; ta pierwsza rzeźba przypomina słowiańskie krzyżyki Welesowe i antropomorficzne)
9. Otoczak z wyrzeźbioną gwiazdą cyrklową z Jaskini Św. Ciarana,
10. Nagrobek wojownika, wmurowany w ścianę kościoła w Kildalton.

Mam pytanie - czy wszystkie celtyckie nagrobki płytowe miały postać steli? Wojownik wygląda, jakby pierwotnie leżał; zresztą to wpływ kontynentalnej tradycji kulturowej. Natomiast pozostałe nagrobki, jak sądzę, raczej były stelami.

Pią 04 Lip, 2008 15:32
Unik

Przechodzimy do Iralndii. Monasterboice, Krzyż Muiredacha (Muiredach to imię irlandzkie; nie wiem, czy jego uproszczoną formą nie jest Murdoch):
http://www.bluffton.edu/~sullivanm/muiredach/muiredach.html
Widok ogólny i strona zachodnia.

Cytat: The West Side of the Muiredach Cross, Monasterboice, County Louth

900-923 CE
16' High

The cemetery of the Monastery of Monasterboice and the west side of the Muiredach cross
The Monastery of Monasterboice, founded by St. Buithe mac Bronach (died 521) in the late 5th century, was a prosperous center of learning in later centuries (10th and 11th). Its round tower, with books and treasures, was burned in the early 12th century and by 1122 the monastery community probably ended, even though Monasterboice continued to be a secular parish.

Perhaps as many as six high crosses existed at this site. The so-called Muiredach Cross (south cross) and west cross still stand, almost undamaged, and a third cross, the north cross, survives in part.

The Crucifixion
A young beardless Christ occupies the center. As is typical in medieval and Irish depictions, He is the Christus Triumphans type--alive and without suffering. Above his arms are two angels. Above and below the scene are spiral bosses and intertwined animals. Two soldiers stand symmetrically on each side of Christ, one the spearbearer who pierces His left side while the other holds a cane with a cup, perhaps a substitute for the spongebearer. Between the soldiers and Christ's knees are two heads, perhaps indicating the two thieves.

Detail of the Crucifixion
The bird under Christ's feet may represent the phoenix, a common symbol for the resurrection. Between the spiral bosses and the two soldiers are two small figures, the one on the left (Christ's right--his "good" side) seated frontally, the one on the right (Christ's left and "bad" side) with its back turned. These probably are personifications of the sun and moon, regular features of medieval crucifixions. Adopted from pagan imagery, they came to prefigure the relationship of the New and Old Testaments since the Old Testament (the moon) was only to be understood by the light of the New (the sun).

The right cross arm with the Resurrection
The right cross arm depicts the Resurrection with guards kneeling on each side of the tomb and three angels behind them holding in a napkin a small figure representing the soul.

Christ as Ruler of the World
Christ is enthroned between St. Peter and St. Paul. He gives the keys to Peter on His right and a book to Paul.

Doubting Thomas
In the center Christ holds up His right hand as if saying to Thomas on his right, "Reach your finger here; see my hands. Reach your hand here and put it into my side. Be unbelieving no longer, but believe" (John 20:27). The figure on the right with the book may be St. John the Evangelist, who alone tells this post-resurrection story.

The Arrest of Christ (or the Ecce Homo)
A young beardless Christ stands in the center held by two soldiers; thus, this could be a depiction of the arrest of Christ. Because Christ is dressed in regal fashion with a large, ornate brooch and because he carries a wand (sceptre), this may represent the mocking of Christ when the soldiers dressed Him in a purple robe and crown of thorns and gave him a mock sceptre of reed, hailing Him as "King of the Jews." (John 19:4-6)

The lowest part of the shaft
Two felines, one with a kitten, the other with a bird, sit in high relief before an inscription which is usually translated "a prayer for Muiredach for whom the cross was made [or who caused the cross to be erected]." The Muiredach in this inscription is generally thought to be the abbot who died in 922/23, thus giving the cross its name and the suggested dating (900-923).

Pią 04 Lip, 2008 15:42
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Strona wschodnia:
Cytat: The east side of the Muiredach cross
This east side depicts several seemingly disparate Old and New Testament subjects. From the base up are the fall of man and the murder of Abel, David's victory over Goliath, Moses drawing water from the rock, the adoration of the Magi, and the Last Judgment. However, these subjects were chosen for their doctrinal and typological significance and underscore the connections between sin, atonement, and judgment.

The Last Judgment
The whole crossing is filled with this scene. On the left of Christ an angel blows the trumpet while on his right a figure holds an open book, presumably one recording the deeds of humankind. On the left cross arm (Christ's right) the saved face Christ and are led by David with a harp. On the right cross arm (Christ's left and "bad" side) are the damned. Satan goads them with a pronged instrument and another devil seems to kick them on their way to Hell.

Detail of the Last Judgment
Christ occupies the center, holding a cross and flowering rod, symbolic of His eternal priesthood. The large bird above his head may be the mythical phoenix, symbolic of His resurrection, or an eagle, symbolic of His ascension.

The Weighing of the Souls (or the Psychostasis)
Below the central scene the scales of justice hang. A righteous soul (generally the heavier one) is in one pan while a devil who had tried to tip the scales is on the ground, attacked by St. Michael.

See a stylistically more sophisticated example of this scene in the Gothic west tympanum of Notre Dame Cathedral in Paris.

The Adoration of the Magi
This scene has important doctrinal significance: the manifestation of Christ to the Gentiles. An old bearded Joseph leads the Magi to the Virgin seated on a throne with the infant Jesus. The Magi seem about ready to kneel. The star is above Jesus' head.

Moses Drawing Water from the Rock
The life-giving water of the rock relates symbolically to the spiritual refreshment of the church and the saving blood from Christ's sacrifice. A bearded Moses strikes the rock with a long rod while the Israelites sit in two rows, each one holding a drinking vessel.

David and Goliath
David, as author of the Psalms which were often recited and studied in Irish monasteries, was held in great esteem. Helen M. Roe explains this panel which "shows from left to right King Saul, armed with sword and round buckler seated on a small throne; at centre David, clad in short sleeveless tunic, holds in one hand his shepherd's crooked stick, the open sling hanging from the other, the shepherd's scrip looped round his neck, while the stone (now almost imperceptible) flies through the air and Goliath, wearing his helmet of brass and armed with a sword and round shield with a central umbo, presses his hand to his forehead and with knees buckling under him sinks to the ground. At his back his armour-bearer looks on in amazement" (40).

The Fall of Adam and Eve and the Death of Abel
Adam and Eve stand beneath the heavily laden limbs of the Tree of Knowledge. Adam moves toward Eve to take the fruit. The second incident, a result of the former, is Cain's murder of Abel. Cain, with a long beard, strikes his innocent brother. This Old Testament event had typological significance, foreshadowing the death of the innocent Christ.

Pią 04 Lip, 2008 15:49
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Południe.
Cytat: THE SOUTH SIDE

The South side
Narrative scenes occur on the side only in two places--the gable end of the house cap (top) with the Entry into Jerusalem and in a panel at the end of the arm with Pilate Washing his Hands. The other panels have decorative abstract motifs.

Entry into Jerusalem
The top of the cross looks like a small house or shrine with its own gabled roof. Here the first scene of Christ's Passion is depicted. As He enters Jerusalem on a horse, not an ass, angels look down on Him. The angle of the gable has decorative spiral bosses.

Pilate Washes his Hands
The end of the cross arm has a panel depicting Pilate seated on a high-backed chair while his servant pours water over his hands. Soldiers with shields stand in the background.

Interlace motifs and portrait heads
Interlace motifs under the ring arc border three portrait heads framed by two snakes coiled to form a guilloche or cable pattern. The human heads have round faces with expressive eyes. The snakes have scales, ears, and fish tails. (See below--on the north side--where the hand of God extends from this design.)

The inhabited vine
Christian artists adopted this pagan motif--the sinuous vine with birds and animals among its twisting curves. Originally associated with Bacchus, the classical god of wine, the vine became associated with Christ ("I am the real vine. . . ." [John 15:1-17]) and the Eucharist.

Interlace pattern with eight men

Lowest part of the shaft
Two monsters in high relief have semi-human faces. Their bodies are crossed but each has short front legs.

Pią 04 Lip, 2008 15:53
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Północ.
Cytat: THE NORTH SIDE

St. Paul and St. Anthony in the Desert
The gable end of the house cap depicts the two saints holding two staves crosswise. A large raven flies downward with a circular loaf of bread. A chalice is on the ground between the two saints. Although this event does not occur in the Bible, it was popular in medieval art because of its Eucharistic significance.

The Hand of God
Under the cross arm the hand of God surrounded by a "glory" is depicted. The hand is symbolic of the mighty power of God. Portrait heads, like those on the south side, are under the ring.

The lowest part of the shaft
Two long-haired men seated opposite each other tug at the other's long beard. Is this intended for humor?

Pią 04 Lip, 2008 15:58
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Dwa krzyże z Kilfenora:
http://www.bluffton.edu/~sullivanm/kilfenora/kilfenora.html

Cytat: High Crosses at Kilfenora, County Clare

9th-10 century CE

A High Cross depicting a bishop wearing a mitre and carrying a crosier
A High Cross with the crucified Christ, not a crucifixion scene, and decorative abstract motifs.

Pią 04 Lip, 2008 16:08
Unik

Dwa krzyże z Kells:
Cytat: South Cross and Ruined Cross, Kells, County Meath
9th-10 century CE
http://www.bluffton.edu/~sullivanm/kells/kells.html

Południowy Krzyż z Kells:
Cytat: The South Cross
Detail of cross arm and of the base with the inexplicable horsemen and soldiers

Zniszczony Krzyż z Kells:
Cytat: The Ruined Cross

The shaft of the Ruined Cross
Only the shaft survives of this cross. Like the Muiredach Cross, this cross has sides with abstract ornament and the front with narrative panels. What is depicted in the panel below? Help! Thanks to Doris Dittrich who sent this email: "I study Celtology in the University of Vienna and just yesterday had a lecture about the Irish High Crosses by Peter Harbison, who also wrote a great book about the issue. The panel you asked for is (according to his interpretation which seemed to be based on fundamental knowledge) the depiction of the baptism of Jesus Christ. The 2 figures on the left side of the panel are angels, also the little figure "floating" in the air. The two streams you see at the bottom of the panel are the two rivers Jor and Dan, who come together to be the Jordan, in which Jesus was baptised. The figure on the very right is John the baptiser, standing in the rivers, who pours water on the other figure standing in the water - Jesus."

Details of the shaft of the Ruined Cross

http://www.bluffton.edu/~sullivanm/kells/kells.html

Pią 04 Lip, 2008 16:17
Unik

Wracamy do Monasterboice. Zachodni czyli Wysoki Krzyż:
http://www.bluffton.edu/~sullivanm/monaster/monaster1.html
Cytat: The West or Tall Cross, Monasterboice, County Louth

10th century CE
7 meters high

Like the Muiredach Cross, the West (or Tall) Cross consists of a base (a truncated pyramid with minimal decoration), a shaft, head, and house cap--although the parts of the cross are separate pieces, probably because of its height. Much of the cross is badly weathered.

The west side with the Crucifixion
Detail of the Crucifixion
Unusual features include the clothed Christ (in a long-sleeved garment with heavy folds) and His bowed head (as if dead). (Contrast this scene with the similar one on the Muirdach Cross). Christ's ankles are bound and his feet, with obvious nails, rest on a foot rest. The spearbearer and spongebearer occupy the curves of the intersection of the arms and shaft. The heads on each side may represent the two thieves. The right arm represents the kiss of Judas and the arrest of Christ while the left depicts the mocking of Christ.

The milking and shearing of sheep
Two small scenes on each side of Christ are rare--the milking and the shearing of sheep. These relate to Early Christian depictions of Christ as the Good Shepherd. The milking scene relates to "the mystical milk of Paradise with which he feeds the Christian soul" and the shearing to the "unprotesting submission of the Suffering Servant who, as a sheep in the hands of the shearer is dumb" (Roe 46).

The east side with the Last Judgment (or the Church Militant)
The shaft represents scenes from the Old Testament with typological significance. The right arm depicts the fall of Simon Magus, an apocryphal story illustrating the triumph of faith over heresy.

The Last Judgment (or the Church Militant)
Christ is armed with sword, shield, and spear and stands with a group of armed men (the apostles?). Below this scene the story of the Hebrews in the furnace is depicted. The three Hebrews are protected under the wings of the angel while the stokers of the furnace stand on each side. This story emphasizes God's powers of deliverance and symbolizes the resurrection of Christ.

Much of the information on this page was taken from Helen M. Roe, Monasterboice and its Monuments (County Louth Archaeological and Historical Society, 1981).

Krzyż Północny:
http://www.bluffton.edu/~sullivanm/monaster2/monaster2.html
Cytat: The North Cross, Monasterboice, County Louth

10th century CE
3 meters high (but only the upper part of the shaft and head belong to the original)

The North Cross
Unlike the Muiredach Cross and the West cross, the billets or volutes are set at the center of the inside of the ring rather than at the angles of the intersection. The shaft was not ornamented except for the incised line defining the edge of the shaft. The west side of the cross head depicts a simplified crucifixion scene with the spearbearer and spongebearer on each side. The east side of the cross has a central medallion with spiral bosses.

The west side of the cross head with the Crucifixion and the east side with the decorative medallion

Much of the information on this page was taken from Helen M. Roe, Monasterboice and its Monuments (County Louth Archaeological and Historical Society, 1981).

Byłem w Monasterboice, ale tych dwóch krzyży nie widziałem i nie słyszałem o nich. Co prawda, nie było czasu na oglądanie.
Zwróćcie uwagę, że krzyże irlandzkie są stylistycznie bardziej "rzymskie" od szkockich. Są bardziej statyczne i większą rolę odgrywa w nich dekoracja figuralna. To by mogło potwierdzać hipotezę o ucieczce posiadających duże umiejętności Rzymian (uczeni, artyści) z Brytanii do Irlandii.

Pią 04 Lip, 2008 16:45
Unik


Pią 04 Lip, 2008 17:08
Unik

I jeszcze o krzyżach:
http://en.wikipedia.org/wiki/High_cross
http://en.wikipedia.org/wiki/Clonmacnoise
http://en.wikipedia.org/wiki/Aberlemno

1. Przed katedrą w Downpatrick (Down Cathedral) w Irlandii Pn.,
2. Krzyż Pisma Św. (Cross of the Scriptures), Clonmacnoise w Irlandii
3. Wysoki Krzyż św. Toli w Irlandii,
4. i 5. Wspomniane już krzyże z Kilfenory i Aberlemno w Szkocji (stela z krzyżem),
6. Znowu to, co pod 2,

Pią 04 Lip, 2008 17:23
Unik


Jest tu ktoś z Irlandii :) ?
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